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programme to a satisfactory close. Elisabeth Leonskaja, julia Wesely g510340, there are pianists who produce crystalline perfection, with every note of an evenings recital precisely in its proper place. In Berlins newest chamber hall, the. I enjoyed them thoroughly, which Im afraid I cant say about Weberns. She could shift moods in a heartbeat, veering from violent con fuoco emotion to the most delicate of contrasting phrases and back again without the slightest loss of continuity. But what Leonskaja does more than any other pianist I know is to maintain and put across a feel for the overall shape of a work even a long work from start to finish. Andante were featherlight or weighty, the tricky key changes progressing as if they were the most natural things in the world.
Pierre Boulez Saal, the audience sits around a central ellipse which contains the piano. Some grit to the Schubertian oyster was added by two Second Viennese School pieces. Leonskajas high register was immaculately delicate from the off; the Beethovenian low register rumble started somewhat muddy, with low register clarity regained in the staccato passages in the second movement. Weitere Informationen zu unseren Cookies und penny lane ludwigshafen dazu, wie du die Kontrolle darüber behältst, findest du hier: Cookie-Richtlinie. Variations for Piano,.27, which opened the second half. Elisabeth Leonskaja, whose stock in trade is to extract the maximum of emotion from the music. Sonata in A minor,.845 completed the demonstration of how far Schubert had come, how sad it is that he didnt live longer, and how total is Leonskajas mastery of this composer. Klavierstücke,.946 and the third, impromptu,.899 to send us into the wintry Berlin air with warmth in our hearts. We were then treated to two generous encores, both Schubert and both played with authority (the first of the.